Let me talk to you.
At least, let me talk to you.
Stand up ... stands! They are coming now.
Come on, Jerzy ... Come on. quench.
Miss Loucachevsky. What is it like for a story?
It's not a lie, but something fussy -
- which is never the whole truth, nor its contradiction -
- but always separated from the real world -
- through the deeply conceived approaches of probability.
What is it for a story, Mr Bonnel?
This is because this composition is filled with holes and poorly utilized space.
Do not look at the structure or plans.
Observe Rembrandt people closely and for long, on the lips and in the eyes.
My God ... Why did you leave me?
What is it for a story, Mr. Coutard?
There is no. Everything is lit from left to right -
- up and down, from front to background.
It's not the night watchman, but the watchman -
- lit by a sun that is low in the sky.
Notice that where she is-
- in one of the dark corners of the canvas, in the background -
- between a man in red and a black dressed captain -
- is the bright light so much more active as the contrast to the rest is more abrupt -
- and without the utmost care -
- would this outbreak of random light have disturbed the entire picture.
It's a sex story! Where is Jerzy?
It's not possible.
We're holding ... We'll be watching tomorrow.
What's wrong? It's crazy with you.
- Where do you not work? - It's the light.
It has lasted four months. You'll have a week and then I'll get up.
I'll keep up ... Now. I'm holding up.
I have been fired -
- but I'll hit again. I'll hit again.
- Barely. - They do not get it well.
- Then I'll be fired too. - There is a meeting tonight.
It was me who said it first.
In fact, it's not so good for me either.
You can not save yourself by saving the world.
I think, at least, that's wrong.
I realize that you have to experience stories before you find them.
It's hard to register everything.
I have to go by myself. They will not make it to me.
"I'm going to think I have to go. - This time you will come.
- It's the third time ... - I need you.
- Do not keep your promise. - It is hard.
They gave me your word.
What you give has been given.
To take it back is to steal.
Sometimes you have to go through others.
I ... I beg you to come.
What are you writing all the time?
Have you seen it? Poland-Argentina: 2-2.
I thought of you on Sunday.
I do not agree. I do not call it Solidarity.
Jerzy, bye! Go and see what that idiot does.
- Jerzy ...! Hurry! - Yes.
- What now? - He's looking for a knife stab.
- What's going on? - Have no idea.
- What does he see in her? - Open my eyes. I can not see anything.
Dav. Are you doing well with the store?
Do not be fooled by the working class.
Goodbye.
I forbid you to talk to my employees. What are you doing here?
"Can not I think of gasoline?" - Not at Machin.
- Do you want to sell them the hotel? - That is mine.
I'll be fine!
- Who? - I know what I'm saying.
I know you know what you think. This is what we see tonight. Get ready.
- They must come if she stays. - Just call, we're on the spot.
- Think of me what Magali is about. - Yes, yes ... bye.
- What about my check? What kind of check?
Fratini ... does it tell you anything?
- 260? - 2,600!
I'll fix it. They'll have it tomorrow.
Where are you going? more important than the factory?
- End work? Maybe ... it may be.
Isabella, I can not stay.
- Now not you too! Why not? - You could only be on time.
The time is 17, and I'm late at it. I have an important deal.
With whom? Do not you want to say that?
- What does it mean to say that? - You are right.
It does not help saying that. You have to do it.
Are you mad at me? Forgive me?
Goodbye.
How do I manage myself?
- Do you want beer? - Yes please.
- Are we going to workout? - No not tonight.
- Will Jerzy come? - No, he can not come.
Good day. It's nice of you to come. Take a seat.
Hurry up now, grandfather. You are going to bed now.
Please be nice. Eat your soup.
Bedtime, Besse. He does not go up until he has said his sentence.
Come on! Say your sentence.
Do not get well started!
- Do not you say your sentence, Besse? - In principle, the poor are entitled.
- Deliver this to Jean. - What is it?
It's the Night of Proletaries.
City and Military Issues.
The words that shook the world.
- God forgives you. - We are right to rebel.
- Poverty, the Nydam of the people. - You walk me on my nerves.
- Good day, mafia. - You do nothing to change you.
The pain from the chains as the body's weight pushed into her wrist "-
- "She prayed herself in her lips, not to scream and so the blood of her beloved ran."
- It should concern everyone. - I like that.
Why did not Magali become? - She went for her work permit.
She is also going to make movies.
- They do not make movies. - What is the difference?
- She goes out with the pollack. - What's the title?
- Passion. - I'm here.
I have to make 2,000 units every day -
- even though we are hourly and the position is very strenuous.
I'm bent forever and the chair is far back.
After nine hours in that position I am really exhausted in the evening.
- What about you? - I'm on hourly wages.
I get a bonus if I make the required number of devices a day.
I am against the bonus because the work requires careful care.
It takes time to do good work. One should not just look and put it.
- It's not possible. - I think we'll make one ...
And if he calls the police?
We are going to make a statement.
Something that goes beyond itself.
I'm not an authority. What should I declare?
You can declare war.
We need to figure out what to write.
Find out.
- Like a declaration of love? - Yes.
You'll never let me down if I seriously bother you.
What do we meet?
- What's the problem? - The bikes.
- The heat - the meat.
- You have a job. - The closing paper.
- I have not. - We shall not exaggerate.
We should not demand everything at once.
What do you do if he summones the police?
- Me? - Yes you.
- What do you want us to do? - I do not want anything.
- But what do you want? - Do you want to lick us too?
Not me ... You. I know what I want.
What about you? All of you?
We shall not be offended. Let's write a text and sign it.
We need to figure out what to write. Find out...
If he gives me a reimbursement of 20,000 francs -
Does he earn it on your wages.
What shall i write?
Write the date and we have met and see our decision.
François, you can kiss her later.
Let's write it. You have to work to love or love to work.
Isabella, style the lamp closer.
Stop! It is over.
- What happens next? - Nothing. It does not go with the light.
It is Europe's latest study of 200,000 francs a day.
It's not possible. There is nowhere to come and come from nowhere.
We end. I'll try again tomorrow.
You would think it is looking forward to you.
- You must say that to Mr. Lazlo yourself. "For once he is not here.
I'm nothing dear Sophie. Nothing.
I observe, change, transfer, plan the excess, nothing else.
There are rules and laws to be observed.
There are no laws in movies, dear Sophie. That's why people still love it.
No, you must follow a story. That's the law. Sir. Lazlo is right.
- Is there any law in film, Mr. Coutard? - No, there is no law.
Turn it all off. We are done.
There are two: the principle of mankind outweighed by the law of maximum irritation.
Miss Loucachevsky.
- Patrick! - Miss!
Is there something wrong?
Do not you want to drive? I can drive you home.
Beware of my Japanese!
What is Magali doing here? I'll warm her ears.
What a luck you can not just send me away.
- What? - The hotel belongs to me.
Michel ... I would love to have loved you passionately.
How does he do He comes with a new each time.
I have to ask him one day.
I manage more money than him.
They make one feel inferior.
- Are people such in the film world? - No, not all.
Not all ... No, I know.
And with what has happened in Poland, you think he is even more beautiful.
Michel, you've never known anything.
But I would like you to pay that girl.
Isabella, or what she is now called. She has been wandering around here for days to come.
She talks with the other girls. With Marianne and Sarah.
I pay her when it suits me.
She has made root in it all.
If the business goes bad, it's your fault ... dear Michel.
- Do you really want to sell the hotel? - I'm hesitating.
Barbara! You forget the most important thing.
- What are you doing, Sarah? - I'm training.
Hurry up!
- Where are the roses? - They are there.
I did not see them.
Say your sentence. Say your sentence!
- What is Machin about? - There are stories to go.
- We agreed to try one last time. - Yes, three months.
- It's the 21th. It's not over yet. - Say your sentence!
Yes, the 21 ... No, it's the 22th.
- It's him. - Good day.
- What happens? She does not want to come anymore.
Why not? We are so sweet to you.
- You signed it. - I will not.
- I do not want to anymore. - It's fine with 1,000 francs.
- The money is my department. - I have the cassette I was talking about.
- Let me talk to her. Thank you, but we'll see you soon.
- Has he treated you badly? "I've been very strange.
- It suits. - What's wrong?
- It's all of you. - What is she talking about?
You all! I is unreliable. Whether it's your or his factory is going on one.
I do not understand anything. Do you, Sophie? What does she want?
"It must be fun and enjoyable. - Comfortable work is not available.
Love is one case, but remember the work. Do you understand?
- Girls like her hanging on the trees. - I am coming!
- What I said about the work fits. - I'm getting a replacement at the factory.
- What's so special about that girl? - Do you sign the check?
We two have to talk together.
You must tell me one day.
- Do you have that check or what? - Miss Loucachevsky!
Do you fool or ...?
- Jerzy! - The check is done.
Sir. Devoselle must sign it.
- They are directors. Sign it yourself. He's coming back on Friday.
- I have wife and children and employees. Sorry, but I'm busy.
- I do not care. Where is the check? - Come to the factory one of the days.
- I'm going there now. When? - That's enough. Done!
A daughter and the father. daughter:
"Why do you have things outline?" question mark.
The father: "Do they have it? I'm not sure. What are you talking about?"
- Did you get scared? - I did not think you came back.
- I was hoping for it. - I can only one thing: Come back.
I took the train. Lazlo is furious, but sorry for it.
I'll figure it out. The film is being made. With real light.
It has lasted for three months. The work must be done. Now.
- It is hard. - I'm sorry to take care of it.
People who are bored say it is the job that bores them.
Yes Yes...
- Do not you understand? - a little bit I have not had German for a long time.
The work you ask me is too close to love.
It's possible.
Possible or likely?
- What day is it today? - The 21st.
- No, on the 22nd. Why did you ask me?
Why should there always be a story?
What happens here? Back to work!
- I has nothing to do here. - They do not come in.
Goddamn!
I got you what?
This way. Follow me.
Why do you come here?
- We need to find a Statist. - Again?
I would like to talk to you one day.
An image is not strong because it's brutal or amazing -
- but because the ideas of solidarity are distant and fair.
- No, you do not come in. - Pay, or give me my job.
- Have you found your members? - Yes, yes ... Her there.
Patrick, I'm waiting for you. - It's not possible. It's my niece.
I promised her mother to take care of her. She is deafest.
"We can talk together now. - I have another.
- Was that your boyfriend? - No more ... maybe.
Can not I come and see how it's going on?
Ask Jerzy. They know him. He has told us about you.
- I ask you a question. - It's alright.
Sometimes I watch movies in the cinema. Or in the television.
And ... And you never see people's work.
- Do they know why? - It is forbidden to film at factories.
- Then I was right. - I what?
I think that inside ...
then the work is the same as pleasure.
It is the same movements as love.
Not necessarily at the same rate ...
but the same movements.
- Miss Loucachevsky? - I'll call.
- Come back. - moment.
- Miss Loucachevsky? - moment.
Come on, Miss Loucachevsky.
It is because of that woman.
- Which woman? There are so many. - The hotel manager, you know enough.
I do not care. Find him I calm the Italians in the meantime.
Look ... you have to look at it. Do not be afraid.
Now look at it. That is the job we have done.
See.
Yes?
I work ... I work!
Yes.
What is the difference?
Love to work, work to love ... Show me the difference.
Do not you know...
- Do you think that's good? - Yes, it's not the worst.
Yes.
Tell Patrick, he's coming to pick me up here.
Well. See you in a while.
Lazio, what have you used my money for?
I'll show you that. 1,000, 2,500 -
- 1,000, 3,200, 15 million ...
3,000, 5000 ...
15 .. 20 ... 35 .. 25 Hans pants: 150.
300 million. 15 centimeters.
1,200, 300,000 ...
- Where's that poop's pole? - He works, he works ...
- Call him. - Now, listen!
I count to Otto millions, not a franc anymore.
See for yourself ... It's not hard.
The difficulty with you is to speak as you want it.
Even though I speak Polish, I do not understand your way of speaking.
The adjectives, the verbs ... Where should they be where do you want them?
- Take care of it. - What?
Yes, the phrase is not created so you can start talking and living.
I do not understand.
Why did they kill white Indians?
Because they did not say, "I do not understand." They said, "I do not understand."
- So what? - Then they killed them.
Not because they did not understand, but because they said the sentence wrong.
I understand ... I still do not understand you very well.
Perhaps it is not useful to assume.
It's enough to take.
Take me...
... in your arms.
"Brethren, people who still have the lips we spilled do not dare our ways"
"For you are in favor of the necessity that we wore will God be merciful to you"
"Here we hang five six, like I it looks:"
"But the meat we are overly generously nourished"
What the hell are they doing here? - They are waiting for orders. We have practiced everything.
- We do not know what to do. - There is no need to practice.
Nevertheless, it is not possible with the light.
- They are paid until January. - It's not just the money.
The stories must be lived before they are found.
Do you think your cool stories come by themselves?
We have three blocks. It is hard. I'm trying to find something.
Ask the bright people to make the background ready.
- Then we drive boys. - Where are we driving, dad?
- Is that what is happening in Poland? - Yes and no.
Are you taking home? They have your family. They have a little boy, Patrick said.
- I'll go home if I want to. - Everyone is sad about what's happening.
We think a lot about it in France. - One people never think of another.
- Who is it? - It's the new bookkeeper.
Where is Lazio? - At the bar with the Italians.
Do you know how much we were up on December 20? Two billion.
Yes, he is here. He comes.
- Here's the dress we made in Rome. - It is very beautiful.
I have a proposal for the Delacroix.
- Where does it come from? - England.
Patrick? She is nice as the Virgin.
- Danielle? - The new!
- Sophie ... Who is she? - It is her who replaces Magali.
- She is too sex to Delacroix. - Will you go into the water, Miss?
Miss! Go down into the water.
She is deafest. It is the director's daughter.
I do not care. She is going to the water and making the star. Show her.
- I do not understand. - the star? It's like this.
François, would you like to put that music that I gave you?
I'm dead tired of managing a production that does not produce anything.
Dead tired.
Thank you François.
- What are you looking at? - The universal wound.
Miss, I have sent a telex.
To Gaumont in Brazil: We and our friends in Parafrance -
- refuses to sell our movie Pass / on for $ 40,000 -
- payable one year after the premiere. Your terms are unacceptable.
It's unheard of. Which premiere?
Sincerely and so on ...
It's hard to see anything before talking about it.
Do you know how much we have reached the page on Saturday?
Italians are our last chance. Otherwise we will have to the United States.
No, not the United States.
- The background is ready. - Thanks.
I never return to East, mate.
Then explain the light story.
- Can we turn off the background? - Also the city?
Manu, can we put the two skies together?
Turn it all off.
Stop!
You must see things before you can talk about them. What so, mate?
I see day and night.
Like the two women. Hanna and Isabella. An open and a closed.
Why do you annoy me, I see them? I'm awake ... I'm looking for.
- Everybody is looking and everyone walks. - Exactly. I'm like everyone else.
We make a regular movie and we are looking for the core.
We put heaven and earth in motion.
- Do I have to drive the stock to the factory? - I'll go there too and see Isabella.
I'll give you this.
It's my money, not yours.
What do you see in her? She has something the others do not have.
Why does she originate? She is cure.
The factory and the work are not something you are talking about without further notice.
- Now I've had enough of you - Jerzy, get up now!
Why do you want to go back to the factory? Stay with us. They are stupid.
They are stupid. Stay with us.
My money!
- Take her with. - No more trouble.
Yes, lots of trouble. If I can not work, he must pay me.
- Let me work! - Removed from the ballet. That's enough.
Help me, though, for the hell! But get started!
- That was what I said! - No more pat. Back to work.
You really like that. You are so deceptive.
- You too? - Yes me too.
Came.
No, tomorrow. Not now. Go now, far from the ballet. Away!
Sorry ... I tomorrow.
- Later, Sophie. - Jerzy, you're gonna meet ...
- It's her who's going to play ... - No, it's Hanna.
Let me get by. No, it's not you.
Go away!
- Take care. - No, I do not care.
There are no real shadows. There are only reflections.
It is Delacroix who has said all that.
He started painting warriors, and since the saints.
Then he went on to lovers and tigers, and in the end he painted flowers.
- What will you? "I would love you passionately.
- Jean François, turn on 104 and 105. - Yes.
"What falls in the light is the reverberation of what the night is drowning."
"What the night is drowning draws what falls into the light into the invisible."
Back to work, miss!
Take your seats!
- Everyone takes their seats! - Why do not you want to work?
Work!
I love you too.
Hurry!
Come in.
- Good day. - Good day.
No, not there. On the chair.
- I have not ordered that. - What do you want?
- A whale. - A whale?
Is that the music you gave my sister?
- What do you want for the whale? - Tomatoes.
No, not there, I said.
- What are they doing? - Takes against the order.
- Such. - Thanks.
There they are.
Hello ... Yes, that's me. Can I talk to Louis?
Hello louis What news?
I'm blowing it on.
I'm kidding it.
I'm skidding. We will talk about next week.
Fox has also said no.
They want a story.
- Are you listening? - Yes, I'm listening.
Look ... She would really fit Rubens.
There are stories and lights.
It's not my fault. Forget her. We'll get started. I'll pick them up.
What are you doing? Forget her!
I do as you say. I forget her ...
I'll start a deal with myself.
So I can also say that I sometimes like what I do not like.
can also say that i sometimes like what I do not like.
- I need a story! - What about her? Does she have a story?
- They must talk to me. - He asks if she has a story.
A story...? A story about what? A story about who?
- Her own? One that can be told? - What is the difference?
Oh i forget you
"But do not forget me. - I travel inside / 'myself.
Do not forget me.
I forget you.
It's for the factory! And for love! And for the money!
And it is for the memories.
- Sir. Bonnel! - Miss Loucachevsky!
Jean-François!
Release!
You can run me in the ass! Bitch!
- Who was terminated? Them or them? - We do not know yet.
I'm calling Tom in Los Angeles. He knows the boss in the Metro.
"We must really talk together one day. - It's already the second time.
- Checks and transfers are completed. - Not now.
Well, Mr Gulla, has it been paid?
I have a good news. The check went through yesterday. I saw it.
- Is it true? - Yes yesterday.
- Just let me get your address. - They know it.
- It's rue de la Servette 25. - Is that your address?
Just we have not been wrong. We are checking it out. Wait for my office.
Ten seconds maximum.
- Who is it? - She was in the second Delacroix.
Is it Tuesday? - We dont know.
I do not feel like it. We still live in a bloodless time.
- And she can not guarantee her text. - That's not true. Say it.
"The situation on the fateful ..."
"The situation at the fateful time and the incessant place" -
- "as a result and highlight Enjolras' utmost melancholy."
Sir. Gulla, you must meet my wife.
"Enjolras had the fullness of the revolution."
"However, he was incomplete, as absolute may be."
"What the immediate funds concern with a violent situation ..."
Is there a little soup?
- Do you like the music? - Yes, I hear it all the time.
- So are you good, buddy? - No, no companion.
So what? What?
They will always be my prince.
You must explain me, Princess.
Do not forget the soup.
I heard you talk to your friend just before.
He said we lived in a bloodless time. I disagree.
Disagree.
What are they doing?
If I committed suicide for your sake, would not there be blood?
- Try. - You can do that yourself!
My check!
My check, Mr. Gulla! My check!
- Do you want something to drink? - An orange water.
- Sir. Gulla! My check! - What is a disaster?
- The first stunts in a love poem. - Fine.
- My check ... My check ... - Why are everyone afraid of Americans?
Is the soup on the road?
- Is it true that you are traveling? - Maybe.
- Is there beautiful in Poland? - It's beautiful everywhere.
- What's your movie name? - The one we do here in the area?
- Yes, your work. - Pass / on.
- What's the story? - No, not you too!
Now I have you. Just wait!
- Is it serious? - No, the knife slipped. It takes a week.
- Come on ... Eat something. - It's fine, believe me.
Why did you leave me? Not again, Isabella.
I'm going home. Now I finally know it's home ... It's your profit.
My ... my profit?
Service ... The first time we met, would be vital about politics -
- but we have only talked about services.
Is it because ... Is it because of what cuts Poland?
No. It only falls at the same time.
- In the radio they said there were deaths. - I know.
And I ... I still do not know.
- If you have a wife.
What will you do with that money?
I do not know. They can get you to the movie.
Do you need them?
It will be cheaper to buy Mr. Gold's factory.
You should do that.
Is it true that you ... that you said to his wife -
- that ... you would like to go home with her -
- but it did not go because she wanted to stay here with you?
Nor did it go with me because I wanted to go home with you -
- while you would stay here with me with me.
It is true.
- Say it again. - What?
That it's ... That's right.
It is true. I have said that to Hanna.
Hanna.
It's the first time...
that you say the truth
Jerzy!
And ... without turning around.
What is it?
She says it's always the last time and you say it's the first time.
It is true.
Should I say he must come in? - No.
- Is not your friend? - Yes. My only one among people.
Jerzy!
It is important.
I go...
I get up.
- They said yes to the Metro. See Tom's telex. - So is California at home?
- When do you leave? - Now ... I evening.
A return ticket for you and a single to me ... Simply.
Wait until you see the light over there.
Sternberg's light, right?
- And Boris Kaufmans. - No.
- Jerzy. - No.
No, you should not reconnect it.
Is he so taken to ... to the United States?
- I'm opening. - No, not you.
- Is anyone here? - Me.
Good evening, Isabella. Sorry to interrupt.
I'm coming with his jacket. I have repaired it.
Is he here?
There are visits ...
Jerzy!
- Who is it? - It's me ... Hanna.
I'll bring your jacket. I have repaired it.
Can we meet? I five minutes. Can I stay here for five minutes?
I do not occupy much space.
We said it was possible one last time.
Possible, yes.
Probably, no.
It's not my fault.
Good evening.
Goodbye.
Goodbye!
Goodbye.
I decide where I go.
Your wife is not here.
- Have you received the money? - Yes please.
Why do not you start a business?
- Which one? - I do not know.
Biscuits, machines ... They actually have more energy than I do.
When it's going to happen.
,I give up.
They are going to Poland ...
Do you know the difference between a director and a worker?
I do not want to know more.
Good luck.
Why did not you say that I ...
that I came and saw you work?
It was there, you left me, as I said.
Work ... They love to work.
Yes...
I'm going to miss the factory.
And when you say you love to work -
- Will "love" that of "love"?
No, it does not come of
So let's get out, Isabella.
Are you still virgin?
Perhaps.
Agnus De i
Qui tollis
Peccata. . . mundi
Dona
Request Requiem
Agnus De i
Qui tollis peccata mundi!
Dona eis requiem sempitemam ...
From now on?
Yes...
Behind ...
From behind.
It must not ...
It must not leave any traces.
Stop.
It's not possible.
It can not go because it's not the right passage.
We have to go ahead. Find the opening.
Hello!
What are you doing, Barbara?
Good day.
Have you seen Jerzy?
He came and said goodbye.
- But where is he? "He's probably still there.
Thanks.
- What are you doing here? - We dont know.
- They've left us. Come on! - Without saying anything?
- They are taken to Hollywood. - They are taken to the United States.
Good day.
Good day. Where is Jerzy?
I'm looking for a final sentence, but I can not find one.
- What are you doing here, manual? - I travel.
- And your sister? - They hire Peugeot people.
- I can drive you to the station. - No thanks, I do not like cars.
Good bye, ma'am. - Goodbye.
- What are you doing here, Isabella? - Same as all the others.
- I'm going home. - But it's not home anymore, Isabelle.
Run with me
- Where are they going? - To Poland, of course.
Hold on, Isabella. That story is out.
It was already out when it started.
- Do you want to go to Poland? - No, I do not like cars.
What are you doing here, Princess?
Same as all the others. Going home. And they?
They are going to Poland. I have to keep an eye on those guys.
- Is that the director's car? - Yes, I could not find others.
- Crazy about? - I do not like cars.
It's not a car. It's a flying rug. Come with me.